BmoreArt

Cara Ober, Editor-in-Chief / Publisher Cara Ober is an artist, arts writer, curator, and the founding editor and publisher at BmoreArt, Baltimore's art and culture magazine. She writes regularly about artist, ...

With The Hot Wing King, Baltimore Center Stage serves up a lively spread of rapid-fire one-liners, spicy moves, and camaraderie that serves as an entree to a discussion of contemporary Black manhood through April 28

In Flourish, Malech's poems rarely alight anywhere near where they begin—often introducing unexpected themes into the fray.

eviews of the new BMA exhibition in Artnet News and The Baltimore Banner, National Great Blacks in Wax Museum receives federal funding, Anthony Le at Transformer DC, don't call them pickled onions, the Waverly Book Festival,  and more reporting from local and independent news sources

Ghost Rivers, Ethiopia at the Crossroads, No Pix After Dark Interviews Carlos Rabas and Emma Childs, Best Baltimore Books of 2023, Annapolis Public Art Controversy, Best Bites of the Year - and more

I don’t fully register when the anxieties of one reality morph into ten other kinds in this new reality, but April is where it is, in my head.

This Week:  Our VOISES our Truth at the Peale, Black Joy is My Protest opening reception at Busboys and Poets, CAHSS Colloquium at UMBC, the BMA hosts Schroeder Cherry, Cordially Invited V opening reception at Make Studio, Beacon of Light opening reception at Creative Alliance, and more!

In Gold Rush, Stephanie Garon seeks to “amplify not my voice, but the [voices] of the people directly involved with the mine and with the land."

Baltimore news from the Baltimore Brew, WYPR, Baltimore Fishbowl, Maryland Matters, and more

The internet had me WRECKED this week.