“”
251 results
Residency and Artist Housing [column size=one_half position=first ] Baltimore Clayworks 5707 Smith Avenue : Baltimore 21209 baltimoreclayworks.org Baltimore Jewelry Center The Centre @ 10 East North Avenue : Baltimore 21218 ...
Cara Ober, Editor-in-Chief / Publisher Cara Ober is an artist, arts writer, curator, and the founding editor and publisher at BmoreArt, Baltimore's art and culture magazine. She writes regularly about artist, ...
Zohore’s new performance, enacted across the street from the BMA’s iconic marble steps, co-opts the literal subject of Da Vinci’s “The Last Supper” and considers the museum’s deaccessioning through the lens of religious sacrifice.
Conversations with the 2020 Sondheim Finalists: Miguel Braceli, Hoesy Corona, Phylicia Ghee, LaToya Hobbs, Muriel Hasbun, and strikeWare
You would think that I would be on the same page as our major collecting institution in Baltimore, but I do not understand their “art math.”
How to organize a studio visit, how to build relationships between artists and collectors, and what to do when your studio is a hot mess.
NMWA’s recent acquisitions include 166 photos by Mary Ellen Mark, a mixed-media portrait by Delita Martin, three large-scale photos by Rania Matar, and a six-foot-long chandelier by Joana Vasconcelos
Station North seems to have stabilized recently with its official adoption by the Central Baltimore Partnership.
A Garden Party for BmoreArt's subscribers, who made Issue 13 possible, as well as featured artists, contributors, and media partners
The 2021 Baltimore Vintage Expo is the perfect environment to showcase a range of advanced sartorial decisions and fashion-forward individuals.
Considering the process of an art career in conjunction with creating good art is essential in achieving goals that might have previously been unattainable
Photos by Elena Volkova of performances and participants on September 24 at Creative Alliance's Tianquiztli market
A conversation with conceptual artist and photographer Larry Cook and gallery owner/director Myrtis Bedolla
Once an institution starts viewing its collection as revenue-generating assets, how does it reconcile its obligation to the artists it has collected in the past and the curators who made the decisions to collect the art?
Embracing COVID-19 hair and supporting local stylists and hair salons as businesses struggle under quarantine in Baltimore