13oct - 31janAll DayMagnetic Fields: Expanding American Abstraction, 1960s to TodayFirst U.S. exhibition dedicated exclusively to the presentation of abstraction by an intergenerational group of black women artists
Featuring work by twenty-one artists born between 1891 and 1981, Magnetic Fields places abstract works by multiple generations of black women artists in context with one another—and within the larger
Featuring work by twenty-one artists born between 1891 and 1981, Magnetic Fields places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for the first time. Evocative prints, unconventional sculptures, and monumental paintings reveal the artists’ role as unrecognized leaders in abstraction.
Artists in Magnetic Fields dispel the notion that figurative art is the only means for visualizing personal experience. The titles of their works and their construction methods evoke intense associations. Mary Lovelace O’Neal’s use of allusive titles, such as Racism is Like Rain, Either it’s Raining or it’s Gathering Somewhere (1993), informs the reading of her monumentally-scaled painting while Maren Hassinger similarly uses socio-politically inflected titles and materials—specifically New York Timesnewspapers—in her textural floor sculpture Wrenching News (2008).
Many featured artists have ties to the Washington, D.C., area, particularly the Department of Art at Howard University. Alumni of this department include Alma Woodsey Thomas, Mildred Thompson, Mary Lovelace O’Neal, and Sylvia Snowden. Other artists presented in Magnetic Fields include Candida Alvarez, Betty Blayton, Chakaia Booker, Lilian Thomas Burwell, Nanette Carter, Barbara Chase-Riboud, Deborah Dancy, Abigail DeVille, Maren Hassinger, Jennie C. Jones, Evangeline “EJ” Montgomery, Howardena Pindell, Mavis Pusey, Shinique Smith, Gilda Snowden, Kianja Strobert, and Brenna Youngblood.
Magnetic Fields: Expanding American Abstraction, 1960s to Today is organized by the Kemper Museum of Contemporary Art, Kansas City, Missouri, and is supported in part by awards from the National Endowment for the Arts and from The Andy Warhol Foundation for the Visual Arts.
The presentation of Magnetic Fields at NMWA is made possible through the generous support of Marcia and Frank Carlucci, the Sue J. Henry and Carter G. Phillips Exhibition Fund, Stephanie Sale, and Mahinder and Sharad Tak. Additional support is provided by American Airlines, the official airline of the museum’s 30th Anniversary.
October 13 (Friday) - January 31 (Wednesday)
National Museum of Women in the Arts
1250 New York Avenue, NW Washington DC 20005