For those not able to make it to New York for Print Week, I hope this can serve as a recap of some of the ‘hot off the press’ work from contemporary publishers and galleries. There was a good energy around the Armory and many who were unable to attend last year were glad to see all the new editions.

(above: Michael Heizer, Untitled, 2013, Enamel and Acrylic Urethane on Aluminum, Durham Press)

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Chitra Ganesh, Architects of the Future, 2014, Portfolio of 5 Screenprint & Woodblock prints, Durham Press

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Emil Lukas, Bubble-up, 2014, Portfolio of 2 Etchings & 7 Screenprints, Durham Press

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Dan Flavin, Untitled (to European Couples), 1971-1973, Portfolio of 9 Screenprints, Barbara Krakow Gallery

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Ed Ruscha, Cameo Cuts, 1992, Set of 6 two-color lithographs, Barbara Krakow Gallery

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Chuck Close, Woodbury types, 2012, Two Palms

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Mel Bochner, Photography Before the Age of Mechanical Reproduction, 2011, gelatin-silver print [I], platinum print [II], collodion print [III], albumen print [IV], cyanotype print [V] & salt print [VI], Two Palms

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Assortment of Elizabeth Peyton prints, Two Palms. Pays to look in the closet!

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Walton Ford, Untitled, 1998-2004, Set of 6 Color etching and aquatints with drypoint, Sims Reed Gallery

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Anish Kapoor, Shadow V, 2013, Set of 4 Color etchings, Paragon Press

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Grayson Perry, The Island of Bad Art, 2013 (?), Etching, Paragon Press

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Two etchings by Lucian Freud & one drawing and two etchings by Frank Auerbach, Marlborough Graphics

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Bruce Conner, 100 Series, 1970, Offset Lithographs, Senior & Shopmaker Gallery

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Raymond Pettibon, Untitled (A Sea of Grinding Tectonic Plates…), 2008, Color Lithograph, Brooke Alexander, Inc.

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Luc Tuymans, The Temple, 1996, Portfolio of 8 etchings with aquatint, Brooke Alexander, Inc.

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Juliao Sarmento, Curiosity’s Eye, 2013, Mixografia print, Mixografia

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Tiago Gualberto, Pay Per Doll 2, 2012, Color lithograph, Tamarind Institute

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Chris Ballantyne, Parking Lot with Palm Trees, 2013, 7 Color lithograph, Tamarind Institute

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Ed Ruscha, Safe and Effective Medication, 2001, Lithograph & Robert Longo, Jonathan, 1988, Lithograph, Mary Ryan Gallery

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Robert Rauschenberg, Soviet/American Array III, 1990, 9 Color Intaglio, ULAE

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Ryan & Trevor Oakes, Skidmore, 2013, Lithograph, ULAE

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Mark Fox, Jeezlepete IX, 2013, Three dimensional intaglio constructed in 35 colors, ULAE

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Bernar Venet, Effondrement: Arcs (I), 2013, Polymer gravure, etching and photo-etchings printed from three plates, World House Editions

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Katia Santibanez, Etching and drypoint, 2 Etching and aquatints, 4 Etchings, Etching, aquatint and spit bite, 2013, Poligrafa Obra Grafica

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Chuck Close, Self-Portrait, 2014, 84-color woodcut, Pace Prints

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Wangechi Mutu, Second Born, 2013, 24-karat gold, collagraph, relief, deigital printing, collage, and hand coloring, Pace Prints

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Robert Rauschenberg, Sky Garden, 1969, 6 color lithograph and screenprint, Gemini G.E.L. at Joni Moisant Weyl

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Terry Winters, Clocks and Clouds, 2013, 6 Color lithographs, Gemini G.E.L. at Joni Moisant Weyl

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)If you’re still having trouble finding Daniel Smith Standard Black #7 etching ink I think the fine folks at Gemini might be to blame.) Richard Serra, Mandela, 2012, Etching, Gemini G.E.L. at Joni Moisant Weyl

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Kristian Krokfors, Shelter 1-4, 2013, Screenprints, Pratt Contemporary

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Martin Puryear, From Above (Beijing) & Side (Beijing), 2013, Etching, aquatint and drypoint, Paulson Bott Press

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Tauba Auerbach, 4 prints from the Mesh/Moire series, 2012, Color Softground Etchings, Paulson Bott Press

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Hernan Bas, Revised Endpapers for “The Homosexual Neurosis” (blue), 2013, Aquatint, Paulson Bott Press

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Richard Woods, Remnant no. 1-7, 2012, Woodcut, Alan Cristea Gallery

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Christian Marclay, Splat, 2013, Screenprint, Graphicstudio USF

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Alyson Shotz, Sledgehammer/Glass/Light, 2012, 6 archival pigment prints on self-adhesive polypropylene film, Graphicstudio USF

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Jia Aili, Red, 2013, Photogravure and line etching, Graphicstudio USF

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Alyson Shotz, 2013, Color aquatints with collagraph embossing, Crown Point Press

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David Shapiro, Clearing, 2014, Intaglio, colored pencil, Tandem Press

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Freya Payne, 2012, Etchings, Flowers Gallery

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Glen Baxter, Trouble in the Design Museum, 2013, Letterpress gravure hand colored, Flowers Gallery

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* Benjamin Levy is a curator and printmaker living in Baltimore. He is the Curatorial Assistant in the Department of Prints, Drawings & Photographs at the Baltimore Museum of Art and a 2009 graduate of MICA.