Tuesday, November 30, 2010

Visible Matter Closing & Closed Caption Comics 9 Release at Open Space December 11


On December the 11th, 2010, Open Space will be hosting a party to celebrate both the closing of the show "Visible Matter (Above Ground)" and the release of Closed Caption Comics Issue 9.

Closed Caption Comics is a bookmaking cooperative formed by Maryland Institute College of Art students in 2005. Five years later, members are scattered across the globe but continue to produce printed products of the highest quality. Issue number 9 is no exception: 192 pages, squarebound, full color cover with black and white innards with content running the full gamut of comics possibilities. Featuring (in order of appearance) Pete Razon, Lane Milburn, Conor Stechschulte, Noel Freibert, Ryan Cecil Smith, Chris Day, Erin Womack, Andrew Neyer, Mollie Goldstrom, Molly O'Connell, and Zach Hazard Vaupen. (Printed in Canada and supported in part by a grand from The Baltimore Council of Promotion and the Arts, the State Arts Council, and Mayor Sheila Dixon.)
closedcaptioncomics.blogspot.com

Visible Matter (Above Ground) features the work of Noel Freibert and Carlos Gonzales. Noel is a member of Closed Caption Comics as well as an accomplished musician and security guard. Carlos Gonzales is the creator of the comics series "Slime Freak" and performs music under the name "Russian Tsarlag."

Monday, November 29, 2010

Vagabond Colours: New Work by Bart O'Reilly at Cherspeake Arts Center Dec. 2


Vagabond Colours: New Work by Bart O'Reilly

This show will feature paintings and an art instalation by Dublin native, Bart O'Reilly. O'Reilly is currently based at Load of Fun Studios in Baltimore. He has shown extensively in Baltimore including shows at The Creative Alliance and Nudashank Gallery. Also he currently serves at the Director of Arts Programs at Providence Center which regularly holds events at CAC.

December 2, 2010 - February 27th 2011
Opening reception Thursday December 2 ~ 5:00 - 7:00pm

410 636 6597 ~ www.chesapeakearts.org

Image: Down with Red © Bart O'Reilly 2010
Street Debris on Plexiglass

Thursday, November 25, 2010

Jewel Box: A Studio Visit with multimedia sculptor Richard Cleaver by Cara Ober


Richard Cleaver’s studio, tucked into a former bedroom in his Tuscany-Canterbury apartment, is a tidy jewel box stuffed full of intricate ceramic figures, freshwater pearls, Swarovski crystals, and all sorts of religious tchotchkies. The winner of one of this year’s Baker Artist Award $25,000 prizes, the multimedia sculptor has also been a finalist for the prestigious Sondheim Award and is a former winner of the $10,000 Trawick Prize. Each of Cleaver's pieces is an exercise in sensory overload: his ornate towers of tiny gilded people, deities, and animals are simultaneously dazzling, self-deprecating, and sacred. In June, we sat down to discuss his inspirations, his childhood, and his day job working with theater costumes.

Cara Ober: How and why did you come to Baltimore?

Richard Cleaver: I am originally from New Jersey. I never intended to come to Baltimore, and I never actually intended to be an artist. I had no idea what I wanted to do back in high school, and I didn’t think much about it. However, I was bored a lot in school and I began skipping one day a week in order to go to the Philadelphia Museum of Art. I don’t know why I went there, but I loved it so much. One of my teachers discovered what I was doing. She changed my life. She was a concert pianist, an unusual and educated, cultured person. When she found out where I was going, she actually figured a way for me to get independent study credit for it. I had no idea that people actually studied art until that point.

To read the whole article, go to: http://www.urbanitebaltimore.com/baltimore/jewel-box/Content?oid=1274932.

Wednesday, November 24, 2010

Artists fleeing the city: High cost of living, fewer part-time jobs drive them out of New York.



Artists fleeing the city by Miriam Kreinin Souccar, from Crain's NY Business dot com

For 25 years, Elyas Khan tried to make it as a musician in New York. The front man for the band Nervous Cabaret, Mr. Khan lived in at least 20 places, from Bay Ridge to Washington Heights, moving each time his lease expired and the landlord jacked up the rent. He worked so many part-time jobs to make ends meet that he barely had time to compose new songs.

Two years ago, he and his wife, Melissa, got the boot from their live/work space in Dumbo when the landlord turned the building into luxury commercial space. That was the day Mr. Khan gave up on New York.

Now, the couple lives in Berlin in a two-bedroom apartment they rent for $750. Mr. Khan has a music studio with views of the city where he is finishing a solo record. His band has booked a European tour for December. And after living without health insurance for two decades, Mr. Khan visited a dentist for the first time in 22 years.

“In New York, you have so much pressure to survive, you don't even know what you did that day,” he says from his home in Berlin.

Artists have long struggled in New York, moving into rough areas, gentrifying them and then getting forced out. But as the city has gotten increasingly expensive, there are few such neighborhoods left to move to, forcing a growing number of artists to abandon the city. Many had hoped the recession would bring down rents, making it easier for them to stay. Instead, rents have barely dropped, and the part-time jobs they depend on for survival have become harder to find. Without a strong arts community, New York risks losing its standing as a creative center, which could have a negative impact on numerous industries that depend on talented employees.

To read the whole article, click here.

Thursday, November 18, 2010

Flatlands opens Nov. 19 at Current


Flatlands
Exhibition Dates: November 19 - December 19
Featuring: Jordan Bernier + Justin Lucas

Opening Reception November 19, 7-10PM

Current Gallery & Artist Cooperative
421 N Howard St
Baltimore Md 21201

Sue Spaid Named Contemporary Museum Executive Director


Sue Spaid, a renowned curator and innovator of contemporary art discourse for nearly 25 years, has been named Executive Director of the Contemporary Museum, announced president of the museum’s board of trustees Pamela Berman. Miss Spaid will join the museum on December 13, following her commitment teaching classes in Engineering Ethics and Aesthetics at Drexel University in Philadelphia.

An independent curator, Miss Spaid’s exhibitions are well-known and highly regarded for their unusual attention to commissioned, site-specific work, environmental art practices and interdisciplinary collaborations between artists and scientists. She often presents works by accomplished artists overlooked by the art world. Most notable is “Ecovention: Current Art to Transform Ecologies” (2002), which featured works by 33 artists and is the first-ever exhibition to focus on artist-initiated and realized ecological solutions to environmental issues. Her exhibition “Action Station: Exploring Open Systems” at the Santa Monica Museum of Art was the first museum exhibition to survey participatory art. Miss Spaid also curated the first museum shows for artists Rob Pruitt, Jeremy Blake and Lezley Saar, and is currently working on “Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots,” which opens in 2012 at the Contemporary Arts Center in Cincinnati, where she was Curator for several years. In addition to presenting works by undiscovered and daring emerging artists, Miss Spaid has also worked with internationally known artists including Polly Apfelbaum, John Bock, Diana Cooper, Joseph Grigely, Carsten Höller, Jörg Lenzliner + Gerda Steiner, Yoko Ono, Matthew Ritchie, Pipilotti Rist, Tomoko Takahashio, and Gillian Wearing.

Miss Spaid recently received a prestigious Emily Hall Tremaine Exhibition Award, which honors curators who develop thematic exhibitions that challenge conventional approaches through the exploration of critical ideas in contemporary art. She was also awarded an NEA Access to Artistic Excellence grant for an upcoming outdoor exhibition at the Abington Art Center in Jenkintown, Pennsylvania.

In addition to curating exhibitions for institutions, Miss Spaid also operated the Los Angeles gallery Sue Spaid Fine Art, helping to launch the careers of many undiscovered artistic vanguards.

A prolific writer, critic, teacher, and lecturer, Miss Spaid received critical acclaim for her 18-city lecture tour, “The Gist of Isness,” which challenges esteemed philosopher and art critic Arthur Danto’s notion of “aboutness.” Her theories are based on extensive studies with Danto.

“Sue Spaid brings an uncommon breadth of knowledge, vision and passion to the exploration of contemporary art and culture," said Ms. Berman. "As the Contemporary enters its third decade, Sue is the ideal person to guide us in experiencing and understanding the art and culture of our time."

Said Miss Spaid, “The Contemporary Museum is nationally and internationally known for the quality of its exhibits and experiences. I am honored to help the board, staff and supporters achieve the museum’s mission, especially to continue the Contemporary’s role in distinguishing Baltimore as a cultural destination.”

Ms. Spaid received a BA and BS from the University of Texas, Austin, and an MA in Philosophy from Columbia University.

About the Contemporary Museum: The Contemporary Museum promotes the art and culture of our time by producing and presenting new works, new thinking, and new practices that are immediately relevant. The Contemporary has earned international acclaim for its thought-provoking exhibitions, innovative programming, and unique collaborations with artists, curators, critics, and members of the community.

From Figurative to Fundamental opens Nov. 18 at Park School



FROM FIGURATIVE TO FUNDAMENTAL: Park's pre-Columbian Ceramics Collection and Work by Contemporary Ceramists and Ceramics by Park Students

Curated by Garry Cerrone

OPENING RECEPTION THURSDAY, NOVEMBER 18, 6 - 7:30pm (Before opening night of Into the Woods)

Free hors d'oeuvers and refreshments based on pre-Columbian foods.

Tuesday, November 16, 2010

The Ordinary Expands at Goucher College Nov. 18


The Ordinary Expands-an exhibition featuring the work of seven artists who explore the familiar and everyday through the metamorphosis of mundane material-will be presented at Goucher College's Silber Art Gallery from Tuesday, November 9, through Sunday, December 12.

This exhibit, which is free and open to the public, can be viewed Tuesday through Sunday from 11 a.m. to 4 p.m. An artists' reception will be held Thursday, November 18, at 6 p.m. in the Silber Art Gallery in the Athenaeum. Call 410-337-6477 for more information.

By presenting mass-produced disposable objects in unusual contexts, each artist's work is familiar, yet strange. Their individual ideas and expressions influence their material choices. All the pieces create seductive visual statements, and while some speak of the minimalist and formalist legacy and are purely visceral, others speak of the temporality of art and culture. Regardless of their language, each artist transcends their materials and proves that there is beauty in ordinary simplicity.

DOVRAT AMSILY-BARAK: DÉJÀ-VU Opening Reception: November 17


Israeli photographer Dovrat Amsily-Barak makes her US debut at C. Grimaldis Gallery

DOVRAT AMSILY-BARAK: DÉJÀ-VU
November 17 - December 31, 2010
Opening Reception: November 17, 2010, 6-8 Pm 
Saturday Salon: November 27, 3 Pm

Dovrat Amsily-Barak is an Israeli artist who will be having her inaugural US showing with C. Grimaldis Gallery. She has also exhibited with the Susan Nielsen Gallery, Paris and the Studio Vogue Gallery, Toronto. Amsily-Barak will be exhibiting a series of staged photographs, entitled Déjà Vu in which her family members serve as models for a materialization of fantasies of a previous life in Europe under a Christian identity. Her "theater of stills" feature artificial interiors of monasteries, hospitals, asylums and orphanages. As in 17th Century Dutch genre paintings, her seemingly innocent interiors and objects produce a clandestine moral critique of her life and her art which she considers "one and the same."

Towson MFA Open House Nov. 18

The MFA studios at Towson University will be open to the public on Thursday, November 18th. We encourage you to take advantage of this unique opportunity to have access to private studio spaces and chat with the artists. This event will correspond with opening of the thesis shows for Amy Boone-McCreesh, Mike Moore, and Amy Klainer.

CFA building is located on the TU campus at Osler and Cross Campus drive. MFA studios are located on the second and fourth floors of the CFA building.

Monday, November 15, 2010

Edward S. Curtis: Photogravures from "The North American Indian"


NOVEMBER 17, 2010 – MARCH 27, 2011
Location: Evergreen Museum & Library
Price: Free with guided museum tour fee or $3 exhibition only.
Opening Reception: Nov. 17, 6–8pm.


More than 25 photogravures by American photographer Edward S. Curtis (1868–1952) featuring some of the most compelling and evocative images of early 20th century Native America are on view in this special exhibition. Drawn from the John Work Garrett Library’s rare, complete set of Curtis’ 20-volume masterpiece, The North American Indian, the exhibition provides a broad survey of Curtis’ monumental project and traces his career over the three decades of its production.

Originally organized by Shannon Egan PhD '06 for the Gettysburg College Art Gallery, the exhibition has been adapted and expanded by Evergreen Museum & Library for its Baltimore presentation. It is made possible by the Evergreen House Foundation and the Maryland State Arts Council, an agency dedicated to cultivating a vibrant cultural community where the arts thrive.

Maryland Morning Screen Test film series presents Matt Porterfield


Tuesday, November 23, 7 p.m.
The Windup Space
12 W. North Ave., Baltimore
Admission is Free and Drinks are Cheap

Matt Porterfield’s pensive and richly textured films "Hamilton" and "Putty Hill" have established him as one of Baltimore’s preeminent filmmakers. Maryland Morning is excited to welcome him to this month’s Screen Test for a conversation and a screening of his work. The Screen Test is on Tuesday, November 23 at 7p.m. at The Windup Space in Baltimore’s Station North neighborhood.

Maryland Morning arts and culture ace Tom Hall will talk with Porterfield in front of a live audience about the early influence of nature documentaries and suburban Baltimore on his work, about how he found film in New York and why he came back to Baltimore, and about the two very different screenplays he’s currently writing.

Then we’ll screen a selection of Porterfield’s work, including clips from "Hamilton," which a "New Yorker" critic named one of the best films of the Aughts; a Coney Island-inspired study; and the music videos he made for local bands Dope Body and Double Dagger. We’ll save time at the end for audience questions and conversation.

As always, the Screen Test is free and open to the public. We’ll air Tom’s conversation with Porterfield on Maryland Morning on Friday, November 26.

Find out more about Porterfield’s work here: http://hamiltonfilmgroup.org/

Any questions , comments, or suggestions? Give us a call at 410-735-1600 or e-mail us at mdmorning@wypr.org.

You can check out the interviews from earlier Screen Tests with Chris LaMartina, Skizz Cyzyk, the Robinson Brothers, Catherine Pancake, and Eric Dyer, and see Christopher Moore's wonderful photos, here: http://mdmorn.wordpress.com/category/screen-test/

Saturday, November 13, 2010

Going Bananas / Kristen Hileman and Guyton/ Walker - talk at the BMA Nov. 13


Artistic duo Guyton\Walker creates a Warhol-inspired exhibition at the BMA. by Cara Ober

The first thing you will notice is the paint cans. Hundreds of them. Some are stacked in rows under a large table, and others sit on the ground, underneath actual paintings, lining the edge of the Front Room exhibition space at the BMA. None of the paint cans appear to have been used for their intended purpose—there's not a drop of paint on any of them. Instead, they bear fastidious labels in a rainbow of hues, emblazoned with images of exotic fruits and checkerboard patterns, but no text.

Many artists in recent art history have used industrial or house paint in their fine artwork (think Jackson Pollock slinging paint out of a can). In this particular exhibit, though, the paint cans symbolize a method of art making that has been abandoned. None of the ‘paintings’ on the walls were made with traditional materials; the artists managed to achieve luscious painterly results strictly through digital processes.

To read the whole article, click here.

BMA:Front Room is Guyton\Walker’s first major American museum show, but the pair has created site-specific works in New York, Paris, and Germany. To find out exactly what the artists had in mind, you can attend an Artful Conversation on Nov. 13 at the museum with curator Kristen Hileman at 2 p.m. The event is free and sponsored by the Friends of Modern and Contemporary Art. A Third Thursday Curatorial Tour also led by Hileman is also open to the public on November 18 at 1 p.m.
This article first appeared in Urbanite’s Arts/Culture e-zine. To have the latest scoop on the Baltimore arts scene delivered to your in-box each week, subscribe here.

Wednesday, November 10, 2010

MAP's Pop-Up Gala is Friday, November 12


Maryland Art Place | 2010 Fall Benefit | 7pm Friday November 12
Purchase yours today and join us in MAP's original and future home, 218 West Saratoga Street, for an exhibition of photographs by Sam Holden, a silent art auction, live jazz with Just Us Three, sparkling cocktails and stellar hors d'oeuvres, and a Pop-Star After Party in the 14Karat Cabaret.

TICKETS: Pop-Up Gala & After Party: $250
purchase online

November 12, 2010

14Karat Cabaret | 218 West Saratoga Street

celebrity fashion encouraged


9pm - Midnight Maryland Art Place 2010 Fall Benefit
Pop-Up Gala After Party

TICKETS: $30 advance
$35 @ door

INFO: mdartplace.org | 410.962.8565
brownpapertickets.com

Pop-Up Gala tickets also available


CONTACT Emily Sollenberger
410.962.8565
emily@mdartplace.org

2011 BAKER ARTIST AWARDS LAUNCH EVENT Wednesday, November 10, 6 to 8 pm


YOU ARE INVITED - 2011 BAKER ARTIST AWARDS LAUNCH EVENT
Wednesday, November 10, 6 to 8 pm

Enjoy free beer, wine, and Joe Squared pizza on Wednesday, November 10, from 6:00pm - 8:00pm at the Wind-Up Space to celebrate the kick-off of the 2011 Baker Artist Awards. The evening includes a collaborative performance by previous Baker Award Winners saxophonist Carl Grubbs and beatboxer & vocal percussionist Shodekeh. Meet "the lab". Special new announcements.

WHERE:
Windup Space
12 W. North Avenue
Baltimore, MD 21201

WHEN:
Wednesday, November 10
6:00pm - 8:00pm

Visit the event Facebook page and RSVP:
http://www.facebook.com/pages/The-Baker-Artist-Awards/

Any questions contact us at gbca@baltimoreculture.org.

Tuesday, November 9, 2010

Vanishing Point: Michelle Hagewood and Erica Hansen at Creative Alliance Nov. 13


On view Nov 13–Dec 30. Opens Sat Nov 13, 5–7pm, Artist talk Wed Dec 8, 7pm.

Cast your eyes up in the sky, or deep down into a microscope – what do you see? With the gallery walls painted black, CA Resident Artists Michelle Hagewood and Erica Hansen stretch the limits of our vision, with clouds that might be smoke screens, microscopic material resembling urban detritus, and flying machines caught in the corner of your eye. Combined, they suggest super- and subterranean landscapes, metaphors for our hopes and fears, or the notion that 21st century civilization is just another ecosystem.

In a large wall installation and her recent digital prints, Hagewood dives into worlds of marine microbes, rainforest undergrowth, and urban understructures – micro- and macro-cosmoses that are on the brink of bursting or collapsing. With pseudo-scientific exactitude, she combines drawing and digital manipulation, pushing and pulling, researching and processing the forms and behaviors until they are barely recognizable for what they were, mysterious worlds pointing to the beauty and failure inherent in humanity’s quest for control.

If scientists look for order in underlying structures, Erica Hansen looks to the heavens for meaning, as people have done for millennia. Large drawings suspended from the ceiling depict the world above the horizon line: smoke, clouds, birds and flying machines, and the tops of buildings recognizable from Baltimore and Rome, the prototypical city of the ancients. Similarly, a sound piece audible throughout the gallery captures the airspace of the two cities: snippets of conversation, the distant roar of an airplane. An ongoing print series of manmade flying devices – blimps, helicopters, jets and so on – reflects her longtime fascination with flight as a metaphor for human experience.

Monday, November 8, 2010

GRAPHITE ON PAPER AT SCHOOL 33 ART CENTER Nov. 12

Cathedral by Alexa Brooks

Graphite on Paper
Curated by René Treviño
November 12-December 31, 2010
Main Gallery

Opening reception, November 12, 2010, 6 to 9pm

A group exhibition of artists who employ graphite on paper in their practice, this exhibit will be a celebration of drawing. Since this show is using Graphite on Paper as it’s thematic current, preliminary drawings, sketchbooks, doodles as well as refined and “finished” works will be included. Matted and framed work under glass will hang beside sculptural work, video pieces and drawings that are thumb tacked to the walls. Graphite and paper are merely the starting point. The goal is an exhibit that has a wide breadth of approaches to the materials…humble materials that everyone has a basic understanding of, but materials that hold infinite possibilities.

Participating artists:

Alexa Brooks
Amanda Burnham
Todd Frye-Matte
Gary Kachadourian
Michelle La Perriere
Jan Razauskas
Juan Rodas
Matthew Shelly
Molly Springfield
Justin Storms
Elena Volkova
Tanya Ziniewicz
Lu Zhang

Speaking of Art at the Stamp Gallery on NOVEMBER 16, 5:30PM


Please join us at the Stamp Gallery on NOVEMBER 16, 5:30PM for our first installment of Speaking of Art.

Featuring Artist Annet Couwenberg

Thursday, November 4, 2010

EMILY DEMSKY & PHILIP KOCH at JLP Fine Art opening Thursday, Nov. 11


JLP Fine Art, Greenspring Station
November 8, 2010 – January 7, 2010
Opening Reception
Thursday November 11, 2010
6pm – 8pm

Emily Gaines Demsky is a painter who works primarily in oils on paper and on wood panel. Emily has a particular interest in deconstructing the landscape, in breaking down a vista to its most basic elements of form, line, and color, and playing with the relationships among them. Emily is active in several local organizations, and has served on the board of directors of Art with a Heart since 2003. She has studied painting locally with Tammra Sigler and Deena Margolis, and has participated in a variety of creative collaborations with artists around the country. Emily is a graduate of Barnard College, Columbia University, and The Friends School of Baltimore, and lives in Baltimore, Maryland with her husband and their two young children. shiningegg.com/

A former abstract painter, Philip Koch was inspired in his early 20’s to turn to realism after viewing the work of the famous American artist Edward Hopper. In it Koch grasped the power of a well-painted realist image to entice and involve the eyes of all kinds of viewers. Since 1983 Koch has enjoyed twelve residencies in Hopper’s former studio on Cape Cod. Labeled a “contemporary master” by Fine Art Connoisseur magazine, Koch has had his work spotlighted in 14 solo exhibitions in American art museums including the Butler Institute of American Art (OH), the Saginaw Art Museum (MI), and the Swope Art Museum (IN). Koch’s paintings are in the Permanent Collections of twelve American art museums. Koch is a Professor at the Maryland Institute College of Art in Baltimore. web.mac.com/philipkoch/Site/Home.html

Chakaia Booker lecture at McDaniel College Tuesday, November 9

For more info, go to: http://www.mcdaniel.edu/11238.htm

Monday, November 1, 2010

CURRENT SPACE FUNDRAISER NOVEMBER 6 ~ 2PM - 11PM



NOVEMBER 6 ~ 2PM - 11PM
421 N. Howard St. 21201
Food + Drinks + Crafts/ Art/ Rummage Sale

Current Space is an artist-run gallery, studio, and a headquarters for cultural production, nourishing an ongoing dialogue between artists, activists, performers, designers, curators, and thinkers. Operating since November 2004, we are committed to showcasing, developing, and broadening the reach of artists locally and internationally.

Featuring peformances by:
Double Dagger www.myspace.com/doubledaggersucks
Thank You www.myspace.com/wethankyou
Ghost Life
Bobby
Zomes www.holymountain.com/artists/zomes/
Mickey Freeland www.myspace.com/mickeyfreebeats
Weekends www.myspace.com/weekendstheband
Secret Weapon Dave
Martin Kasey

--
Current Space
421 North Howard Street
Baltimore Md 21201

Abandonment at The Gallery at CCBC, Dundalk Nov. 6


The Gallery at CCBC, Dundalk presents

Abandonment

November 1- December 15, 2010
Reception, Saturday November 6, from 6 to 8 pm

Artists
Lynn Cazabon
Frank Day
Penny Harris
Ben Marcin
Hal Rummel
Christopher Saah

Curator
Clara Nilles

Gallery Hours, Monday through Saturday noon to 5 pm

For further information please call 443.840.4326

Directions to CCBC Dundalk Art Gallery, Building K

From North via Baltimore Beltway - (I-695)
Take Exit 39 (Merritt Blvd), proceed about 2 1/2 miles. At the 8th traffic light (intersection of Merritt Blvd - Peninsula Expressway and Merritt Ave) turn right. If you cross RR tracks you've gone too far. At the first traffic light, Merritt Ave becomes Sollers Point Road. Go Straight. The college is at the top of the crest on the right.