Sunday, January 31, 2010

Dana Hoey at CADVC opening February 4

(detail) Salamanders, 2008. Courtesy of the Artist and
Friedrich Petzel Gallery, New York.

Dana Hoey: Experiments in Primitive Living
February 4 through March 20, 2010
Curator: Dr. Maurice Berger, Senior Research Scholar, CADVC
Opening reception with the artist is next week:
Thursday, Feb. 4, 5-7pm
Organized by the Center for Art, Design and Visual Culture, UMBC

This exhibition centers on a cycle of photographs by New York artist Dana Hoey— Experiments in Primitive Living. The series represents the successive phases of an unnamed, imaginary ecological disaster through vivid, disquieting images. Experiments five sections—Ash, Freeze, Thaw, Drought, and Flood—do not tell a coherent story. Rather, they depict a range of phenomena and situations, from extremely close-up details to nearly panoramic landscapes that relate to each other obliquely or tangentially. Their stylistic diversity—appropriating as they do the look of commercial product shots, film stills, or scientific, documentary, or portrait photographs—enhances the project’s mood of ambiguity and dislocation.

The imagery of Experiments alternates between dispassionate, keenly observed depictions of the physical effects of environmental catastrophe and the human reaction to these events—bodies scarred by trauma, rendered speechless by fear, and driven by the will to survive. It represents a world scorched, frozen, or flooded almost beyond livability, a post-apocalyptic landscape where basic, life-giving resources are either unavailable or scarce.

Experiments in Primitive Living illuminates our fragility and vulnerability in a world changed by recent events—from perils of global warming to the global economic meltdown. Works from two other projects—Profane Waste and One Pro, Two Amateurs—complete the installation and offer insight into the feminist and environmental themes that inform Hoey’s work.

Exhibition catalogs available.
Artist lecture: Feb. 23, 4:30pm

For more info visit the CADVD website!

Amanda Burnham: Agglutinate opens February 5 at the Amalie Rothschild Gallery at the Creative Alliance


Opening Reception: Friday, February 5, 5:30-7:30pm
Exhibition runs February 5-20, 2010

With inky black shadows, and a limitless range of gray washes, Amanda Burnham’s crumbling urban and exurban landscapes are almost entirely devoid of people, like cartoon snapshots taken a month or so after the rapture. Here Burnham combines drawing with installation to ghostly effect, with dangling street signs and tangled chain link fence etched onto the wall and enfolding the viewer.

Burnham has exhibited her work widely. She is represented by the Dorsch Gallery in Miami, FL. Locally, she has participated in solo and group exhibitions at Loyola University, the College of Notre Dame of Maryland, MICA, and the University of Maryland, College Park. Other venues include GV/AS Gallery (Brooklyn, NY), Harrington Arts (San Francisco, CA), the Aldrich Museum of Contemporary Art, the Toledo Museum of Art, and the Cranbrook Institute of Art.

Burnham holds a BA from Harvard, an MFA from Yale, and is currently an Assistant Professor in the Department of Art+Design, Art History, Art Education at Towson University.

For more information, visit: www.amandaburnham.com or www.creativealliance.org.

Photos from Art Openings on Friday, January 29th

At the John Fonda Gallery at the Baltimore Theatre Project, Recent Works by Julie Benoit and Leah Cooper




Maren Hassinger, Scott Kelly, April & Sidney Pink


Julie Benoit and Leah Cooper



At School 33, After Image, curated by Jamillah James



Jamillah James and her mom!


















Upstairs, in the Members Gallery at School 33, Evan La Londe's Waterfall sculpture and gorgeous pencil drawings...







Calder, Jen, and Christina

Katie Morris and Evan La Londe

Wednesday, January 27, 2010

Evan La Londe: Waterfall (for Richard Brautigan) at School 33 opening January 29

Waterfall, (for Richard Brautigan)

Waterfalls are phenomenal objects. Like most forms found in nature, a waterfall has a different relationship with time than we do. Their ageless existence asks us to reflect upon our own, which is not. Our experiences with these forms can create very real, emotional moments. The existence of this waterfall as a sculpture is similar to how it would exist as a photograph, suspended at a point of synchronicity. Although only a reproduction, Waterfall, (for Richard Brautigan), strives to recreate this same synchronicity while being a celebration of its complex and beautiful form.

Exhibition: January 29 - February 27, 2010

Tuesday, January 26, 2010

After Image opens January 29 at School 33 from 6-9 p.m.

video still from Martijn Hendriks’ Untitled (or The Birds without the birds, or give us today our daily terror) (2008-ongoing)

After Image
Curated by Jamillah James

Opening Reception January 29th 6-9pm
Exhibition January 29 - March 27, 2010

The term afterimage describes when an image persists in one’s vision, even after exposure to the original image has ceased.

The artists in this exhibition employ aggressive appropriative strategies—hacking, remixing, erasing, translation, and so forth—to disorient viewer expectations and to offer new interpretative and narrative possibilities.

Matters of ownership and authorial privilege are now greatly problematized by the volume and fluid interchange of information on the Internet. Artists are reflecting this cultural shift with a more deliberate presence—literal or technical—in their work, and, especially, interjected into that of another. Unusual juxtapositions invest mundane or familiar objects with new vitality and forge new histories. Simple cut-and-paste (by hand or digitally) becomes a revelatory and critical act. Referencing and borrowing are now commonplace, and are no longer exclusive to new media work.

Ultimately, these practices exploit the rift between history and the formation of memory—how do we reconcile an image or object's original intent, meaning, and context with new exposures? If an image has a past and a present, who determines its future and how? The artists selected for AFTER IMAGE take this moment as an invitation to intervene, and to further diffuse the concept of artist as sole maker of meaning.

David Page: Staan Nader, Staan Terug! Closing Reception January 29


David Page: Staan Nader, Staan Terug!
(Translation: Come Closer, Get Away!)

Artist Talk and Closing party January 29, 2010 at 5 p.m.
Stevenson University Gallery
1525 Greenspring Valley Road
Stevenson, MD 21153

New Works at the John Fonda Gallery Friday, January 29



Opening Reception: Friday, January 29, 6-8 p.m.
John Fonda Gallery
45 West Preston Street
Baltimore, MD 21201
Located at Theatre Project

Hours: M-F Noon-4 p.m. or by appointment

Saturday, January 23, 2010

Studio Visits at School 33

Today I visited artist studios at School 33 Art Center. This program has been around since the late 1970's and provides gorgeous studios at a subsidized price for local artists. Right now there are nine studios and a rolling admission for new artists. In late 2008, School 33 started an artist mentoring program which includes guest speakers, exhibits, and studio visits in order to create dialogue and foster artistic growth in Bmore.

As I visited each studio artist and discussed their work and process with them, I photographed their studio and work, as well as the artists in their studios.

Aaron Yamada-Hanff








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Amanda Engels






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Rosetta DeBernardinis





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Kate MacKinnon





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Anne Chan





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Bill Tamburrino







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Matthew Freel