“best professional practices for artists”
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An art resume is very different from an employment resume.
You would think that I would be on the same page as our major collecting institution in Baltimore, but I do not understand their “art math.”
How to organize a studio visit, how to build relationships between artists and collectors, and what to do when your studio is a hot mess.
Do You Want to Collect the Art of Your Time and Place? Do you want to invest in the excellence that the visual arts bring to your city? Connect + ...
NMWA’s recent acquisitions include 166 photos by Mary Ellen Mark, a mixed-media portrait by Delita Martin, three large-scale photos by Rania Matar, and a six-foot-long chandelier by Joana Vasconcelos
Zohore’s new performance, enacted across the street from the BMA’s iconic marble steps, co-opts the literal subject of Da Vinci’s “The Last Supper” and considers the museum’s deaccessioning through the lens of religious sacrifice.
Performing a kind of writing-as-praxis, Sarbanes' new book explores the potential of our moment with reference to historical and contemporary instances of political autonomy, notions of artistic autonomy, and art practices that connect the two.
This Week: MICA Community Art & Service Program exhibition, In the Stacks performance at Peabody Library, City of Artists I closing reception at Connect + Collect, Mari Black at Manor Mill, Open Works yard sale, screening of Black Printmakers of Washington DC at Smithsonian Anacostia, and more!
This Week: Baltimore Clayworks studio tour with Victoria Walton, Elizabeth Talford Scott reception at MICA, EMBODIMENT opening at MAP, The Merchant of Venice (Annotated), or In Sooth I Know Not Why I Am So Sad at 2640 Space, Constructed Stories & Fabricated Forms opening at Gallery 220, and more!
We all expended a tremendous amount of labor—myself, the artists, art handlers, the gallery director, friends, family—to get the show open. And now, the result of COVID-19 is that effort sits in a gallery unviewed.
Maryland Muse at the Goldstein Treasury Building, Makini performance at UMBC CIRCA, Marjuan Canady screens her film at Motor House, 'Black Art in the Absence of Light' documentary screening at The Driskell Center, Through Our Eyes exhibition opening and reception at The Walters, and more!
This Week: Studio tour with Jai Sallay-Carrington at Baltimore Clayworks, Disconnect/Connect at Cade Gallery, BALTIMORATORY at Peabody Heights, The Kimberly Project at the Lewis Museum, Amber Robles-Gordon at Morton Fine Art, and more!
Opportunities to help out, apply for much-needed support, and make plans for the future.
10 Regional Art Exhibitions in Museums and Galleries Worth Exploring in February
Issue 10: Power is BmoreArt's second print journal released since Covid-19 closures